Olympic Spirit And The Art Of Inclusive

Around the world has been the development of contemporary art there are two ideological understanding of the error, first developed the development of the arts have a vanguard of the developing countries, art direction and the other is the new media art as a sign of globalization arts, Replaced by new media art shelf art. Such thinking errors, and from the perspective of globalization of contemporary society in the form of an art historian of the theory of evolution.

Due to a market economy and globalization of the concept of cultural globalization, it seems that for the contemporary art world has sketched the development of an Olympic-style evolution platform. In this platform, various national, ethnic, regional arts and cultural exchanges and development of a strong culture of vulnerable culture of radiation, cover and assimilation. Arts and cultural exchanges and development of the invisible also formed a high and low, superiority and inferiority, advanced and the backward inequities.

In fact, the artistic exchanges between the peoples of the art of competition does not exist, it will be difficult to compare the merits of the arts, but all countries and peoples in different historical periods there is a degree of social civilization, science and technology research and development levels and patterns of economic development Imbalance, which can also formed a cultural and artistic exchanges in culture and a strong culture of the underprivileged significant difference. And advocacy on the geographical, ethnic and cultural differences between the tolerance and understanding of the Olympic spirit, is still the world of contemporary art exchange and development funding from the important concept.

As we all know, the Olympic movement is an international sport, but it is inevitable that the world faced with the inter-ethnic and cultural differences which caused all kinds of cultural issues. These ethnic and cultural differences, often because countries in the political system, economic system and ideology, and other aspects of the conflict and strengthening. In a certain sense, the quadrennial Olympic Games will be all the world's sports, culture and concentrated in a narrow range of space and time, therefore the differences between different cultures is particularly noticeable. Therefore, the Olympic spirit is the first advocate of tolerance for cultural differences and understanding. The concept of globalization of contemporary society, the world will be tantamount to a visual arts concentrates on the platform. However, in such a world art platform, is more inclusive of the arts, diversity, rather than artistic standards or identity.

This inclusive reflected in:

1, the globalization of art and they can not closing cultural differences and heterogeneity, which in the event of the local community, local or increase in the common culture, or reverse the local community in strengthening the cultural identity and local culture in The wave of globalization, not Shoushenruyu, but "I" attitude enhance their cultural identity.

For example, from the perspective of the history of the world oil painting, oil painting in China with the introduction of globalization is to create a process, but from the perspective of Chinese oil paintings it is bound to have local characteristics. China's first generation of oil paintings on the home run, Liu Haisu has been the traditional literati paintings with the aesthetic psychology to the late Impressionist and Ye Shoupai structure, is the essence of his oil paintings by Chinese ink painter on the interpretation of Oil and strokes. Another example to many farmers as the main theme of the painting also highlights the contemporary Chinese oil paintings unique aesthetic character. These works not only let us see contemporary Chinese oil paintings already has a huge implication of localization, but let us see in the new media arts have mushroomed and the decline of the art world shelves, painted on Chinese contemporary art was still in an unprecedented To create space.

2, the globalization of art to the market value of the exchange of economic equality as the mode of dialogue and exchange, more than any time in the history of a culture of tolerance.

If the past history of what happened on the globalization of cultural erosion has been vulnerable to strong cultural, disadvantaged by strong cultural assimilation to the mainstream culture, then in the "cold war" after the Cultural Centre of globalization gradually out of the assimilation model and a respect for Edge cultural, geographical and cultural, multi-cultural situation. This trend is the social basis of economic democracy exchange of equal value concept of social expansion. There is no doubt that in the context of globalization, cultural identity and exchange is no longer a single, origin, but in the continuous further development and further integration of.

This era of globalization, than any time in the past with the hybrid culture and compatibility. As the globalization of the art mixed culture, although five parties miscellaneous, P Plus pay mixed, but the historical context of each area is still an objective presentation there, and in the new cultural context described himself in the position. For example, Article 50 of the Golden Lion Award at the Venice Biennale works, "Echo", Luxembourg Xiesu Mei Chinese female artists in Switzerland in the Alps glens Cello Recital by the images. This works not only across the music, art and images, and other artistic fields, and inclusive of the Chinese culture, the culture of England and the French culture, and other cultural attributes. This art of tolerance, even in the mixed individual also clearly demonstrated the different arts and cultural quality of blood.

3, the Olympic platform in the arts, and art exchanges and the development is not to "great harmony", but regional or national art in the arts inclusive arts Hu Rong and progress of mankind in the process highlights the local cultural personality. The so-called art of the "Contemporary", is a regional or national artistic personality prerequisite for the continued pursuit of human and fully reflects the evolution of art and Hu Rong process.

For example, modern Chinese paintings of transition, not only to painting and Western realism of modern art as a reference, but also learn from and absorb organic and the result of Western art. But this is to absorb and learn from traditional Chinese painting as the main body, to show China's modern aesthetic experience and aesthetic spirit for the purpose of the integration and creation. Modern Chinese Paintings from the conversion of the main micro-fine ink pen Miao in the values of liberation, and made plans for a contemporary Chinese painting an important variable value judgement.

Clearly, the arts and Hu Rong progress is a necessary condition for the liberation of personality, and the Hushen integration, assimilation and assimilation, they are just the accumulation of human knowledge and culture of the stage, it is the art of preparing the regional and national character is more freedom, More open and more distinctive cultural identity and the creation of the liberation. Art of "globalization" must be fully displayed their works in the regional or national arts and cultural personality and the art of "differences" is bound to show to the evolution of human art for the common core. The so-called art of the "Contemporary", on the one hand the times due to different local culture and produce different aesthetic practice, the art of different languages, different art media and the media, on the other hand, is the premise of regional arts personality and the constant chase Fully reflects the evolution of human art Hu Rong and the process of "contemporary" is not just the globalization of the media (the media itself does not exist advanced and backward), is through the media show the cultural personality by the inclusion of human culture, and Hu Rong Of progress. In this sense, inclusive of contemporary art is the prerequisite for development and exchanges, but also values the diversity of contemporary artistic expression. But only tolerance, we can really achieve art in the context of globalization and development platform for exchange purposes.

Just as the movement is beautiful and courageous nature, the nature of art is the truth of beauty show. Artistic nature also need to campaign as courageous nature of the beautiful, and this courageous in the Mirador inclusive and highlight the different ethnic and cultural texture.

About The Author:
jin jous is a photographer and artist specializing in art nude photography and landscape photography.His work can be viewed at: http://www.kanjpg.cn